As a sculptor who works in bronze, George Nock creates a series of sketches before he molds his first miniature in preparation for a large, finished work. This mixed media work entitled “Hands on Bass” is a beautifully simple rendition that works perfectly in print form.
"I feel a responsibility to breathe life into untold stories & the images I depict".
George Nock, former running back with the New York Jets & Washington Redskins was destined to become an artist. Introduced to drawing & sculpture very early in life, the self-taught, Nock has distinguished himself amongst the great sculptors of the 20th & 21st century due to an intrinsic ability to capture "the moment" with versatility in bronze often reflecting life's experiences. Inspired by two junior high school teachers, Mr. Tasker (sculptor) & Mr. Battle (painter) who both allowed Nock to etch, sketch, sculpt, draw & paint throughout high school.
In 1964 on a sports scholarship, the soft-spoken athlete attended Morgan State University where he majored in Psychology. After four great Championship years at Morgan, Nock was drafted by the Superbowl Champs, the New York Jets in 1969. Through hands-on practice, Nock devoted his life to formulating the Lord's materials into renditions of wildlife, warriors, Whims & women, the culture bearers of any society. Much of Nock's work is derived from some indelible experience stored in the crevices of his mind. Whether sculpting a figure from world history, a forgotten people, or a famed athlete. Nock possesses the uncanny ability to capture the essence of his subject with a characteristic pose or expression.
The phenomenal and thriving artist Lina Iris Viktor will present her first major museum exhibit at The New Orleans Museum of Art, opening this fall. Titled Lina Iris Viktor: A Haven. A Hell. A Dream Deferred, the installation will be on display from October 5th, 2018 through January 6th, 2019.
A Haven. A Hell. A Dream Deferred will feature an entirely new body of work created by Viktor that investigates the narratives surrounding America’s involvement in the founding of Liberia. Throughout the exhibit, the artist reimagines the rich history of Liberia’s colonial past. “Liberia appears in Viktor’s re-imagining as a kind of paradise lost, and as a cautionary tale,” said Allison Young, an Andrew W. Mellon Fellow of Contemporary Art. “At the same time, her work transcends this narrative, revealing how examples of visual culture—from Dutch Wax fabrics to national emblems to gestures in the history of portraiture—exist as remnants of these colonial histories.”
Based in New York, the British-Liberian artist is highly known for her luxurious large-scale paintings and installations that are adorned with gold and include references to both modern and traditional West African culture.
“NOMA is pleased to present Lina Iris Viktor’s exhibition, and to foreground a lesser-known history of which the American South was a part,” said Susan Taylor, NOMA’s Montine McDaniel Freeman Director. “In this series, Viktor offers her unique perspective on a complex and multifaceted history.”
Programs related to the exhibition feature conversations led by Lina Iris Viktor and Allison Young, a film series, and a special talk with Viktor and curator Renée Mussai. For more information, please visit NOMA READ MORE........